edgewater motel

I never leave the house without the camera now, because there is always the chance of zooming right by a Gutnayer project. Sure enough today, we drove right by one of the motels that is in his drawings.

Now there are many of these little motels all over Chicagoland, but how many are in beautiful shape and are right down the street from the leaning tower of Pisa?

Edgewater Motel, Touhy & Nagle, Niles, IL

We were on our way to Elk Grove Village, where we ate lunch in a Japanese restaurant in an industrial park. It was the first time I ate in a Japanese restaurant where most of the patrons were speaking Japanese. On our way back, we stopped briefly to photograph the hotel.

The restrained Gutnayer eave in action.

structural corrections

temporary posts in the area where rot was found

you can see the two new columns inside the windows directly above the concrete columns

and the busted up sill

The sill of the front window was broken and sagging inward when we bought the house, which was attributed possibly to freeze and thaw cycles over time or poor load distribution around the window. When the carpenters got into the wall around the window, there were some odd choices made about how to carry the loads downward, but the real problem were some rotted members below the window on the underside of the second floor. The window had very little holding it up and a lot pressing down on it. The carpenters are now shoring things up inside. The steel header over the window is now being supported by (among other things) two temporary steel posts that run down to the concrete columns on the first floor. The original solution was aluminum columns under the steel header that ran down to wood, which then rotted out.

original aluminum column on right going down to wood
new temp steel going down to concrete column on left.

The architects asked the carpenters to try to use the temporary columns to lift the weight off the window and sure enough, they got an inch of vertical space back for the facade. They said that the first 3/4 inch was actually pretty easy, and you could hear the house sighing with relief when the weight was lifted off the window and the wall.

peeling away

The carpet has come off the circular stair to reveal these worn treads on the original wood.

 The circular stair with its plywood veneer siding removed.

In the rear you can see the space where the bookshelf was removed  and a temporary column to take weight off the window wall, which had an 'experimental' construction method that needs shoring up and re-thinking before the new windows can go in.

The Master Bedroom with the funky stair in front removed.

The current plan is for this room to have translucent sliding doors along the whole opening.to allow light to enter the living room and to keep some of this openness while giving the bedroom some privacy.

glencoe

So, yesterday I was up in Highland Park, not Glencoe. I have a couple more to visit up there, but the more high rent the neighborhood, the less likely the Gutnayer houses are to have survived. In Glencoe I found two of six today, which is not so great. The two I found today are just a few blocks apart from each other.

 

  

Funny how that evergreen is pruned right to the edge of the eave.

 

  

This house is built with the same brick as our house. All perhaps from one lot? 

highland park

There has been beautiful sun the last couple days, so with a half hour to spare today I sped up to Highland Park to try to track down some of Gutnayer's built projects. Most of his projects in the suburbs are labeled with the client and street name only, so I have to go out and drive around to find them. One address was a maybe: it looked like a well designed ranch house with one pronounced eave, but it was hard to call. One was probably lost (replaced with a new/old french country house) and the other was, well, this.

 

  

  

This eave is redwood. It looks to be in pretty remarkable shape. This house is on a corner site, as are most of his houses. I really appreciate the way the house looks so different from each angle. Also—and I don't know whether this is brilliant or strange—the balance of the house from the outside appears to be a fairly standard ranch.

I have not seen one of these strong patterned eaves in person until today. They appear in a number of his projects, including the original drawings for our house.

 

In the design for our house, the redwood eave was to hold a clerestory window that would let light into the main floor. There were to be two of them, one facing south, the other north (you can see it in this elevation peeking out behind the front clerestory). He instead used seven skylights to light the main floor (or 'sky domes' as he called them out in the drawings: perhaps that was the term at the time). While I have been doubtful that these would look good on our house, I love it on the house above. And think it is well paired with the unique brick pattern. Gutnayer was not shy about detail. I really, really would like to get inside some of these and see how they feel from within.

Plans

So for those of you for whom plans are hard to read, I apologize in advance. These are really hard to read, being photocopies of original plans that are now tiny and pixelated. But, in the interest of explaining my demolition photographs, I think I better give a brief sense of the layout of the house. Since we are fortunate to have both Gutnayer's original design drawings and a quick set of as built drawings, I will show both.

 

original design, main floor J. M. Gutnayer, 1957

To orient you briefly: the bottom of the drawing is the front of the house: the little dots and dashes along the horizontal line represent the window mullions of the ribbon window. The circular stair is how you enter the house from the ground floor. The beds and baths are on the right side of the drawing, with the kitchen/living and dining on the left side. The elements highlighted in blue are the things that changed when the house was built. The only major change was the orientation and scale of the fireplace. His design oriented the fireplace towards the dining room and had a smaller footprint than what was built. Also, he designed a 'skydome' over the circular stair that was not installed.

 

as built plan, main floor, J.M. Gutnayer, 1958

Here you can see the different shape of the fireplace, and also the different orientation of the exterior stair. It was originally drawn to head back to the rear of the house, but was built to move to the front by the garage.  The elements in red are the elements we are removing from the house, the elements in blue are being added. We are removing the stair on the north side of the house (the left side of this drawing) and replacing it with a stair down to the backyard from the lanai. The bookshelf and maid's room walls that interrupted the continuous ribbon window from the inside are being removed to create a very open main room. 

 

from inside maid's room.

 

from the family room, seeing the continuous window.

What will go in the space in front the window? We expect it will be very sparsely furnished, if at all. This floor area is designated un-programmed, lying in the sun, reading the paper, doing a project space.

it begins!

 

here we go!

The dumpster and portapotty are in place, the fence is up, the demo guys are working on the interior today. Design meeting tomorrow, design drawings shortly thereafter.